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從潘金蓮看《水滸傳》作者的婚姻觀 - 畢業(yè)論文
摘 要
《水滸傳》描寫的婚姻愛情，都極力表現(xiàn)了作者的婦女觀和婚姻觀。以潘金蓮和武大的婚姻為例，作者塑造了1個“紅杏出墻”的女人的代名詞，將潘金蓮定為千古淫婦，反映出了作者落后封建的婚姻觀，而這并非個別偶然現(xiàn)象，縱觀全書，那些與潘金蓮有著相似之處的女性，即使是綠林女杰的英雄形象，在婚姻愛情上仍逃脫不了封建婚姻的枷鎖，成為依附于男子而存在的附屬物，這些都與作者根深蒂固的封建倫理道德婚姻觀和當(dāng)時社會婦女的地位密切相關(guān)。對作者的婚姻觀進(jìn)行分析，不但能夠使我們深入發(fā)現(xiàn)和明確了解封建社會的婦女生活及命運(yùn)，而且對于我們認(rèn)識作家為什么塑造的女性人物形象都脫離不了悲慘的婚姻命運(yùn)有著重要的作用。
關(guān)鍵詞：潘金蓮；婚姻觀；夫權(quán)；封建倫理道德
ABSTRACT
"Water margin" describes marital love, vigorously has all displayed authors view of women and the marital view. Take Pan Jinlian as with the runt marriage was the example, the author has molded "had an affair" womans pronoun, will decide as Pan Jinlian the eternity immoral woman, reflected the author fell behind the feudal marital view, but this individual accidental phenomenon, looked over the entire book by no means, these have the similarity female with Pan Jinlian, even if were the green forest virago heroic image, still could not escape in the marital love the feudal marriage shackles, became attaches in the accessory which the man but existed, these all with author ingrained feudalism ethics morals marriage view and at that time social womans status close correlation. Carries on the analysis to authors marital view, not only can cause us thoroughly to discover, is clear about the understanding feudal society the womens life and the destiny, moreover regarding us knew why the writer does mold the feminine character image could not be separated from the tragedy marital destiny to have the vital role.
Key words: Pan Jinlian; marriage view; husbands authority; feudalism ethics morals
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