【必備】大學英語作文6篇
在日常的學習、工作、生活中，大家總免不了要接觸或使用作文吧，寫作文可以鍛煉我們的獨處習慣，讓自己的心靜下來，思考自己未來的方向。你所見過的作文是什么樣的呢？下面是小編收集整理的大學英語作文6篇，歡迎大家借鑒與參考，希望對大家有所幫助。
大學英語作文 篇1
Excess Spending on Campus
A recent survey indicates that the monthly expenditure of a college student has been on the sharp rise．Many college students have no concept of thrift in their mind at all．
The following factors contribute to this excess spendin9．First of all．as the only child oftheft families，many students are the apples in their families’eyes and naturally get move care and pocket money．Some are even spoiled and take spending money from their parents for granted．In addition，with the improvement ofliving standards，parents can also afford higher expenditure of their children．Moreover,some students like to pursue fashion and trends，which can be quite costly．Finally,campus love is another possible factor causing too much spending．
From my point ofview，college students should learn to be thrifty．We should limit our expenditure on daily necessities but not buy whatever we want regardless of their prices．The habit of thrift can help US form fight values and is favorable to our future development．
校園里的過度開銷
最近的一項調查顯示大學生每月的花銷正在急劇增加。很多大學生腦中根本根本沒有節(jié)儉的概念。
以下原因造成了這種浪費花銷：首先，作為家里的獨生子女，很多學生是家人的掌上明珠，自然得到更多關心和零用錢。一些人還被寵壞了，把花父母的錢看成理所當然。其次，隨著生活水平的提高，父母能夠承擔孩子更高的消費。此外，一些學生喜歡追求時尚和潮流，這也花費頗高。最后，校園戀愛可能是造成過度花銷的另一原因。
在我看來，大學生應該學會節(jié)儉。我們的支出應該限制在日常必需品，而不是不顧價格購買我們想要的一切。節(jié)儉的習慣能幫助我們樹立正確的價值觀，并有利于我們的未來發(fā)展。
大學英語作文 篇2
Nowadays,with the occurrence of new consumption way like credit card consumption andvariety of financial plans and loans provided by banks and other institutions,a growing number of people have advocated using tomorrow’s money. However, asfar as I am concerned, saving money is a good habit and we should keep it allthe time.
如今，隨著新的消費方式的出現，比如信用卡消費，各種財務計劃和銀行或其他機構貸款，越來越多的人主張?zhí)崆跋M。然而，我覺得存錢是個好習慣，我們應該一直保持這樣的習慣。
Thereis an old saying that “a penny saved is a penny earned”. The saying revealsthat no matter what situation we are in, it is necessary and useful to makesome preparation for unpredictable emergencies. In modern times, it is quitenecessary to collect some money at any time to deal with changeable situation.What’s more, saving money is not only a good habit but also an essential coursein one’s lifetime. What we need to learn is not only to earn money but also learn to manage our money properly instead of spending unlimitedly. And saving money should be a part of our financial plan as well as we should be the masterof money rather than being controlled by money.
有一句老話是這樣說的“省錢就是賺錢”。無論在什么情況下，為意料之外的緊急情況做一些準備是很有必要也是很有用的。在現代，隨時隨地存一些錢來應對多變的情況是很有必要的。更重要的'是，存錢不僅是一個好習慣也是人的一生中不可或缺一堂課。我們需要學習的不僅僅是賺錢，也要學會正確管理自己的錢而不是無節(jié)制的花錢。存錢應該是我們的財務計劃的一部分，我們應該成為掌控金錢而不是讓金錢掌控我們。
Therefore,saving money is a good habit, but I do not contend that we should not spend money at all and become a mean man. I am just saying that we should keep thehabit of saving money and spend money according to our plan.
因此，存錢是個好習慣，但我不主張一分錢都不花，成為一個小氣的人。我只是想說我們應該養(yǎng)成存錢的習慣并按照計劃花錢。
大學英語作文 篇3
there was a bit of a fuss at tate britain the other day. a woman was hurrying through the large room that houses lights going on and off in a gallery, martin creeds turner prize-shortlisted installation in which, yes, lights go on and off in a gallery. suddenly the womans necklace broke and the beads spilled over the floor. as we bent down to pick them up, one man said: perhaps this is part of the installation. another replied: surely that would make it performance art rather than an installation. or a happening, said a third.
these are confusing times for britains growing audience for visual art. even one of creeds friends recently contacted a newspaper diarist to say that he had visited three galleries at which creeds work was on show but had not managed to find the artworks. if he cant find them, what chance have we got?
more and more of londons gallery space is devoted to installations. london is no longer a city, but a vast art puzzle. net to creeds flashing room is mike nelsons installation consisting of an illusionistic labyrinth that seems to lead to a dusty tate storeroom. its the security guards i feel sorry for, stuck in a fau back room fielding tricky questions about the aesthetic merits of conceptual art simulacra and helping people with low blood sugar find the way out.
every london postcode has its installation artist. in sw6 luca vitoni has created a small wooden bo with grass on the ceiling and blue sky on the floor. visitors can enhance the eperience with free yoga sessions. in w2 the serpentine gallery has commissioned doug aitken to redesign its space as a sequence of dark, carpeted rooms with dramatic filmed images of icy landscapes, waterfalls and bored subway passengers miraculously swinging like gymnasts around a cross-like arrangement of four video screens. the gallery used to be stables, you know. not to be outdone, in se1 tate modern has a wonderful installation by juan munoz.
at the launch of this years turner prize show, a disgruntled painter suggested that the ice cream van that parks outside the tate should have been shortlisted. this is a particularly stupid idea. where would we get our ice creams from then?
what we need is the answer to three simple questions. what is installation art? why has it become so ubiquitous? and why is it so bloody irritating?
first question first. what are installations? installations, answers the thames and hudson dictionary of art and artists with misplaced self-confidence, only eist as long as they are installed. thanks for that. this presumably means that if the ice cream van man took the handbrake off his installation van no1, it wouldnt be an installation any more.
the dictionary continues more promisingly: installations are multi-media, multi-dimensional and multi-form works which are created temporarily for a particular space or site either outdoors or indoors, in a museum or gallery.
as a first stab at a definition, this isnt bad. it rules out paintings, sculptures, frescoes and other intuitively non-installational artworks. it also says that anything can be an installation so long as it has art status conferred on it (your flashing bulb is not art because it hasnt got the nod from the gallery, so dont bother writing a funny letter to the paper suggesting it is). the important question is not what is art? but when is art?
the only problem is that this definition also leaves out some very good installations. consider richard wilsons 20:50. it consists of a lake of sump oil that uncannily reflects the ceiling of the gallery. spectators penetrate this lake by walking along an enclosed jetty whose waist-high walls hold the oil at bay. this 1987 work was originally set up in matts gallery in east london, through whose windows one could see a bleak post-industrial landscape while standing on the jetty. the installation, awash in old engine oil, could thus be taken as a comment on thatcherite destruction of manufacturing industries. then something very interesting happened. thatchers ad man charles saatchi put 20:50 in his windowless gallery in west london, depriving it of its contet. but the thames and hudson definition does not allow that this 20:50 is an installation because it wasnt created for that space. this is silly: it would be better to say there were two installations - the one at matts and the other at the saatchi gallery.
or think about damien hirsts in and out of love. in this 1991 installation, butterfly cocoons were attached to large white canvases. heat from radiators below the cocoons encouraged them to hatch and flourish briefly. in a separate room, butterflies were embalmed on brightly coloured canvases, their wings weighed down by paint. the spectator needed to move around to appreciate the full impact of the work. unlike looking at paintings or sculptures, you often need to move through or around installations.
what these two eamples suggest to me is that we are barking up the wrong tree by trying to define installations. installations do not all share a set of essential characteristics. some will demand audience participation, some will be site-specific, some conceptual gags involving only a light bulb.
installations, then, are a big, confusing family. which brings us to the second question. why are there so many of them around at the moment? there have been installations since marcel duchamp put a urinal in a new york gallery in 1917 and called it art. this was the most resonant gesture in 20th century art, discrediting notions of taste, skill and craftsmanship, and suggesting that everyone could be an artist. futurists, dadaists and surrealists all made installations. in the 1960s, conceptualists, minimalists and quite possibly maimalists did too. why so many installations now? after all, two of this years four turner prize candidates are installation artists.
american critic hal foster thinks he knows why installations are everywhere in modern art. he reckons that the key transformation in western art since the 1960s has been a shift from what he calls a vertical conception to a horizontal one. before then, painters were interested in painting, eploring their medium to its limits. they were vertical. artists are now less interested in pushing a form as far as it will go, and more in using their work as a terrain on which to evoke feelings or provoke reactions.
many artists and critics treat conditions like desire or disease as sites for art, writes foster. true, photography, painting or sculpture can do the same, but installations have proved most fruitful - perhaps because with installations the formalist weight of the past doesnt bear down so heavily and the artist can more easily eplore what concerns them.
why are installations so bloody irritating, then? perhaps because in the many cases when craftsmanship is removed, art seems like the emperors new clothes. perhaps also because artists are frequently so bound up with the intellectual ramifications of the history of art and the cataclysm of isms, that those who are not steeped in them dont care or understand. but, ultimately, because being irritating need not be a bad thing for a work of art since at least it compels engagement from the viewer.
but irritation isnt the whole story. i dont necessarily understand or like all installation art, but i was moved by double bind, juan munozs huge work at tate modern. a false mezzanine floor in the turbine hall is full of holes, some real, some trompe loeil and a pair of lifts chillingly lit and going up and down, heading nowhere. to get the full impact, and to go beyond mere illusionism, you need to go downstairs and look up through the holes. there are grey men living in rooms between the floorboards, installations within this installation. its creepy and beautiful and strange, but you need to make an effort to get something out of it.
the same is true for martin creeds lights going on and off, though i didnt find it very illuminating. my work, says martin creed, is about 50% what i make of it and 50% what people make of it. meanings are made in peoples heads - i cant control them.
its nice of creed to share the burden of significance. but sadly for him, few of the spectators were making much of his show last week. his room was often deserted, but the rooms housing isaac juliens boring films and richard billinghams dull videos were packed. maybe creeds aim is to drive people away from installation art, or maybe he is just not understood. whatever. the lights were on, and sometimes off, but nobody was home.
大學英語作文 篇4
題目要求：
Directions: Write a composition entitled My Views on Examination. You should write at least 120 words according to the outline given below in Chinese:
1. 大學都用考試來衡量學生的成繢
2. 考試可能帶來的副作用
3. 我對考試的看法
參考范文：
Sample:
My Views on Examination
Nowadays the examination is used as a chief means of deciding whether a student succeeds or fails in mastering a particular subject in most colleges and universities. Although it is efficient, its side effects are also enormous.
On the one hand, examinations lower the standards of teaching. Since teachers are often judged by examination results, they are reduced to training their students in exam techniques. Nosubjectsjcan.be taught successfullywith jjntenttojtake.examinations. On the other hand, the most undesirable effect is that examinations encourage bad study habits. A the examinations corejis the only criterion for his academic performance students driven to memorize mechanically rather than to think creatively.
In fact, few of us admit that examinations can contribute anything really important to the students’ academic development. If that is the case, why cannot we make a change and devise something more efficient and reliable than examinations?
詞匯表達亮點：
chief adj.主要的 criterion n.標準
master v.掌握 mechanically adv.機械地
side effect 副作用 creatively adv.創(chuàng)造性地
enormous adj.巨大的 contribute to 為 做貢獻
intent n.意圖，意向 devise v. 設計
undesirable adj.不良的 reliable adj.可靠的
大學英語作文 篇5
In this picture, we can tell that the son is talking to his father about his concern about the nuclear waste. His father told him that if he can empty the dustbin first, he can do anything. This is an easy but very important story, telling us that we have to focus on things around our daily life first, and then the things great enough in the world.
In our daily life, it is very common to find some people that talk about their great minds on topics that far away from their lives. However, they provide little concern on staffs that around their own daily lives. These people are usually not very successful because their minds are beyond their grasp. To this end, students who want to be a better man, have to know that one can become greater and greater if they can complete things around their daily life well one by one. They may stand on the top of the mountain in the society finally.
大學英語作文 篇6
When it comes to sleep, people’s opinions vary. Some people think that we should sleep as much as possible to keep our mind conscious. Some people think that we shouldn’t sleep too much because long time sleep makes people sleepy. In my opinion, appropriate sleep can not only refresh our mind but also keep us energetic.
First of all, enough sleep makes us energetic. After a day’s working, people feel tired. Therefore, a good and enough sleep can help people recover from the exhausting status.
Secondly, sleep enough can avoid illness. It is investigated that more than 90% people who suffers from insomnia are tending to fall ill easily compared with those who have enough sleep.
Thirdly, enough sleep benefits our mind. According to researcher from American and French, the “Sharp Wave Ripple” in brain which is responsible for strengthen memory can only appear when people fall into deep sleep. If we have enough sleep, then our memory will be improved so that we can learn things more efficiently.
All in all, enough sleep makes us energetic, benefit our mind and also help us to avoid from being ill. Hence, people should get enough sleep.
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